A sign today is going to be awesome? A free soy caramel macchiato & total Flow in workshop prep.

I know it's hard to talk about your work.
But I also know (and I bet you do too) that the thing that makes it hardest is…you.
You worry about how you sound. You worry that you're talking too much.
You worry that you're awkward or aggressive or too quiet.

Part of the reason it's so hard is because it's all so verbal. And the minute you start picking words or stringing them together, The Monitor shows up. This isn't just your emotions or self-esteem, there's an actual part of your brain that judges what you say and do. This is super helpful when you need to make a decision, but troublesome when you have to speak extemporaneously or write freely.

But there is good news. You can turn the Monitor off. The best jazz players and comedians have learned to do just that. You can circumvent words + judgement all together and work with another part of your brain.

That's what Diane and I  had in mind when we started talking about a visual process that could make it easier for makers to talk about their work. Instead of judging and thinking and arguing with yourself, we want you to skip right into the images that stir you. We jump past the thinking and go right to the seeing. (You can join us in Monitor-silencing this Monday right here.)

For a visual-thinking person, using images to spark words make perfect sense. But it's not the only one. When I started thinking about it, I have all kinds of tricks for turning off the Monitor…

Working in the same place with the same little rituals.
Zooming way out of the screen I'm writing on, so that I can't read as I write.
Writing to just one person.

How do you do it? What are your tricks for turning off The Monitor?

PS. The last chance to join the class is this Monday. If you'd like a reminder, sign up here.

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